What do real artists think of NFTs?

Cover image: “Love You Too” by Marc Dennis. Captured by Vittoria Benzine.

Marc Dennis noted, \"NFTs are akin to Tinder within the art community,\" Marc Dennis , whose strikingly realistic artworks are showcased at art events stretching from Miami Beach to Dallas. What implications does this carry? Like any art form, its interpretation lies with you. Even after more than a year in the spotlight, NFTs continue to make significant waves within the art scene. Various artists have seamlessly integrated blockchain technology into their artistic philosophies. Dennis, like many others, first came across the term while following Beeple’s landmark auction at Christie’s. 

With all the frenzy , along with financial backing and disputes, NFTs have evolved beyond their initial definition. An NFT fundamentally represents something logged on a blockchain. While this technology serves a purpose in the art industry by verifying ownership and authenticity, the label 'NFT' has become intertwined with digital content at large. It's essential to note that they are not the same. Yet, this technology often accompanies broader transformations within the art realm, mirroring larger societal changes. 

The impact seems akin to what Instagram has initiated,” said Marc Dennis. “The pace of information dissemination has compressed the time it takes for artwork to be rapidly comprehended and appreciated. The enigma surrounding art without explicit significance, combined with anything that instigates a sense of delay, feels increasingly transient, yet it’s not solely NFTs that contribute to this. There’s an urgency tied to digital circulation, leading many artists to rethink their need to oppose this trend.” Andrew Woolbright A transformation is underway concerning how art is created and perceived. Initially, the arrival of NFTs provided a valuable platform for artists without gallery connections to effectively market their creations.

view this technological shift as having a greater impact on the crypto landscape than on the art scene. He expresses uncertainty regarding the place of NFT art in the future artistic canon but imagines a scenario where NFTs become vital in the art market as a tool for validating artworks and monitoring sales for future resale royalties. FAUST According to Marc Dennis, \"This medium has fundamentally shifted our understanding of value. It’s no longer about the physical possession of something exclusive or rare; value is now intertwined with constructed cultural ideals of influence, trendiness, and recognition.\"

recently transitioned from Los Angeles to New Orleans, collaborating with Marc Dennis. She expressed, \"I appreciate NFTs because their value hinges on demand, which resonates with my perspective as someone involved in art trading. I also cherish the transparent provenance they offer and the control artists maintain. Every artist deserves this level of command over their creativity.\" Hank VonHellion Art cannot be confined to a single definition; it encompasses a myriad of expressions. Curator and organizer Marc Dennis stated, \"What intrigues me most is the creative process, not the sales aspect.\" Even though she has several animated NFTs scheduled for release soon, she confided, \"I genuinely prefer crafting tangible paintings.\"  Elza Burkart 'My Mind Can Only Dream of Mortal Kombat' by Andrew Woolbright. Captured by Vittoria Benzine. Mortal Machine Gallery Andrew Woolbright commented, \"Fundamentally, my belief in open-source ideals and free exchange will remain unchanged. Ownership doesn't concern me. While the concept of virtual art intrigues me, I find virtual certificates and licenses less so. It's still early in this journey, and their application in the future may transform completely. Presently, however, I'm wary of the significant energy consumption and ecological implications linked to a system designed primarily to indicate ownership.\"

Art as a business introduces a lens through which to view it. Ultimately, blockchain is merely one instrument; the real value lies in how it’s employed. Klaudia Ofwona Draber Burkart highlighted that some artists are harnessing this opportunity ingeniously: “

has embarked on a venture I hadn't anticipated—a unique tattoo studio accessible solely through NFT shop passes. There are incredibly talented and sought-after artists collaborating on this. It's genuinely captivating, and we're merely scratching the surface!\"

Former ‘Love Island’ star Hannah Elizabeth is set to auction a 3D NFT scan of her physique.

SuperRare launches a pop-up in Soho, debuting its first group exhibition. Zeitweitz , please be aware that the details provided on this page are not intended as legal, tax, investment, financial, or any other type of advice. It's crucial to only invest what you can afford to lose and to seek independent financial counsel if you harbor any uncertainties. For additional information, we recommend reviewing the terms and conditions along with the help sections provided by the issuer or advertiser. MetaversePost strives for accurate, impartial reporting, although market conditions may fluctuate without prior notice. Scott Campbell Vittoria Benzine is an art writer and personal essayist based in Brooklyn. She focuses on contemporary art, weaving in elements of human stories, counterculture, and chaos magic. Her works can be seen in publications like Maxim, Hyperallergic, Brooklyn Magazine, among others.

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