Taking center stage in SoHo, SuperRare curated the insightful panel discussion ‘A Space Odyssey,’ centered around the evolving landscape of decentralized curation.
Last Thursday, SuperRare packed their SoHo pop-up space Set against the backdrop of a gallery event named 'A Space Odyssey,' the gathering featured pioneering Web3 curators including Masako Shiba from ONBRD, Sasha Stiles of theVERSEverse, and Kirk Finkle from the Museum of Crypto Art (M○C△). Each of these curators operates their own designated SuperRare space, developing unique virtual galleries within SuperRare's expansive ecosystem as a means to mitigate potential overreach by the platform.
Joining the discussion was SuperRare Labs’ community strategist Lauren Lankford, who facilitated a deep dive into the intricacies of curation—often a hierarchical process—within the context of spreading decentralized models. As the conversation unfolded, attendees were treated to a lively visual display of works curated in the ongoing exhibition, 'Ghost in the Machine,' featuring a collection from 17 talented digital artists including Noah Kocher and Anne Vieux, who are trailblazers in this digital realm. digital media .
Traditionally, curators serve as the gatekeepers within the fine art landscape. While the industry thrives on the financial support of art collectors, it is the curators at galleries—and even at forward-thinking NFT platforms like SuperLab—who dictate who garners attention and, thus, whose work sells. Curation is essential for any organizer aiming to provide a platform for creative expression, whether it be an online gallery or a museum space. museums During the panel, Finkle posed an intriguing question: 'How can we empower the crowd to determine what deserves the spotlight?' He suggested that perhaps the curation process could benefit from the inclusion of community input—an idea made easier by modern technology.
The guiding philosophy of the organization states, 'Our mission is to uphold the truth,' which underscores its commitment to crypto art as a cultural touchstone. 'A shared truth emerges when multiple perspectives are acknowledged.' While Finkle hesitated to fully label their community with the somewhat ambiguous term ‘DAOs,’ he acknowledged that they operate like a 'baby DAO,' incorporating a native token and enabling limited governance, even as some centralization remains. decentralized principles This makes sense within the visual arts realm, but Sasha Stiles and her all-female cohort at theVERSEverse are breaking ground by integrating writers into the blockchain universe, inviting poets to relinquish control over their creativity to AI, producing verses that blend human and machine input—all ready to be minted as NFTs.
In her conversation at SuperRare, Stiles highlighted the hesitance among many traditional writers to engage with cryptocurrency—as a result of either misconceptions about the space or the fear of navigating unfamiliar technological spaces. Yet, she has learned that decentralization is fundamentally about redistributing power and resources, and she's figured out how to communicate using a universal language: money. Blockchain technology allows for resale rights across a range of creations, from artworks to literary pieces. about page for M○C△ Masako Shiba transitioned from her conventional role in the nonprofit art sector to embrace Web3, motivated by the promise of fairer treatment for artists. She expressed during 'A Space Odyssey' that it's about respecting creators—after all, without them, there wouldn't be any work to negotiate. DAO (pronounced 'onboard') serves this purpose, acting as a curatorial entity and incubation platform designed to assist artists in breaking into the Web3 space and leveraging blockchain advantages by 'discovering, conceptualizing, and actualizing digital art projects,' successfully bringing artists like Baiwei to the SuperRare platform through their own dedicated space.
Many attendees directed their inquiries during the Q&A towards the availability of resources. Typically, in an art gallery, an artist can expect to share their earnings roughly fifty-fifty with the gallery. However, in the Web3 setting, crypto artists usually part with only about 5% to the respective platform they use. Shiba described this arrangement as 'mutually respectable,' noting that these fees are essential for sustaining platform operations. Metaverse Post also interviewed Stiles about her work in June.
Topics concerning contracts and ownership also came up. Does being showcased in a SuperRare space equal forming a professional bond with the platform? Much like various facets of the ongoing decentralization, these matters remain nuanced and evolving. event tickets and, yes, poems too.
Understanding the importance of relinquishing (and sharing) authority doesn't require significant effort beyond the time needed to adapt. Shiba compared this surrender process to that of Stiles’s peers, who let go of their creative control to AI. Stiles remarked that this aspect is an advantage, helping writers escape creative blocks they might not even notice. resale rights A curator might resolve these emerging challenges all at once—though she humorously suggested waiting a few more years to ensure her job security. ONBD Returning to tangible concerns, some issues often seen as strictly belonging to the traditional art world continue to persist in the Web3 environment. With a background as an architect, Finkle questions the design parameters for a metaverse museum. Just as physical architectural spaces influence human interaction, various user interfaces apply the same principle in digital realms. Does a crypto museum require walls? If so, how many, and how unconventional can they be without deterring visitors?
In Finkle’s perspective, channeling energy applies equally to constructing decentralized systems. He reminded us, as we frequently emphasize, that technology itself isn't inherently harmful; it’s how humanity utilizes these tools that shapes outcomes. Without careful consideration, AI and the ethical dimensions of Web3 could remain unchanged—a stifled, impersonal curation. traditional fine art world SuperRare has been living up to its commitment to foster open discussions since moving into its SoHo space. Rumors among attendees suggest they may extend their pop-up for an additional month.
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In fact, Shiba even wondered if an AI Please be advised that the information presented on this page is solely for informational purposes and should not be construed as legal, financial, investment, or any other form of advice. It is essential to invest only what you can afford to lose and seek independent financial guidance if you have any uncertainties. For more details, please refer to the terms and conditions and support resources offered by the issuer or advertiser. MetaversePost is dedicated to providing accurate and unbiased reporting, but market conditions may change without notice.
Vittoria Benzine, an art writer and personal essayist based in Brooklyn, delves into contemporary art, emphasizing human experiences, counterculture, and chaotic magical practices. Her work appears in various publications, including Maxim, Hyperallergic, and Brooklyn Magazine.
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