Rarible Supports Creators by Stopping Orders from NFT Marketplaces that Overlook Royalties
In Brief
Rarible will stop consolidating orders coming from OpenSea, LooksRare, and X2Y2.
This action follows OpenSea's declaration that it is transitioning to optional creator fees.

Rarible The aggregated NFT marketplace, Rarible, made an announcement today on Twitter regarding its decision to discontinue order aggregation from OpenSea, LooksRare, and X2Y2.
In a post on X, previously known as Twitter, co-founder of Rarible expressed Alex Salnikov took a stand for creators.
‘Web3 brings forth a transformative potential, especially for artists and creators. It goes beyond merely creating NFTs; it’s about reshaping how creativity is recognized and rewarded,’ said Salnikov.
This change is a response to OpenSea’s latest announcement announcement regarding the discontinuation of its royalty enforcement tool, the OpenSea Operator Filter, set for August 31. Concurrently, the platform will shift to optional creator fees.
Launched last November, the Operator Filter was introduced amid the ongoing dialogue surrounding creator royalties. OpenSea believed the tool's success depended on comprehensive support from all marketplaces in the ecosystem, a target that has not been met.
‘Since implementing the Operator Filter, we have noticed multiple web3 marketplaces and aggregators (like Blur, Dew, and LooksRare) bypassing the filter to avoid enforcing creator fees,’ noted Devin Finzer, co-founder & CEO of OpenSea.
After OpenSea's integration of the Operator Filter, X2Y2 embraced a similar approach by mandating royalties applying it to all collections. However, it appears X2Y2 has reversed its position, given Rarible's decision to stop order aggregation from them.
LooksRare, another NFT marketplace criticized by Rarible, allows trading without royalties.
‘We are committed to standing beside creators and artists. This is why we're discontinuing support for marketplaces that disregard royalties,’
Salnikov said.
While OpenSea has announced the end of its exclusive approach to creator royalties, current collections – including those on non-Ethereum blockchains using the Operator Filter – will have the established creator fees enforced on OpenSea until February 29, 2024.
Rarible's position might be perceived as a publicity move designed to attract attention to the platform. This notion is reinforced by Rarible's" "free Open Edition mint titled ‘R is for Royalties’ launched just a day after OpenSea revised its creator fee structure. introduced According to insights from Dune Analytics, OpenSea continues to lead as the top NFT marketplace in terms of transaction volume across both networks.
Despite another platform that disregards creator royalties, outperforming OpenSea in weekly volume from December 2022 until July this year, it appears the company has successfully regained its market supremacy. Ethereum and Polygon .
Even though Blur In July, OpenSea recorded an impressive monthly transaction volume exceeding

for Ethereum NFTs, whereas Rarible's transaction figures on Ethereum reached a modest $127 million It's essential to clarify that the information on this page isn’t intended to be construed as legal, tax, investment, financial advice, or any other kind of guidance. Always invest what you can afford to lose and seek independent financial counsel if you're uncertain. For additional details, please refer to the terms and conditions and support resources provided by the issuer or advertiser. MetaversePost strives for accurate and unbiased reporting, but market conditions can change rapidly without notice. $396,635 over the same period.
Disclaimer
In line with the Trust Project guidelines Cindy, a journalist at Metaverse Post, focuses on web3, NFTs, the metaverse, and AI, particularly through interviews with industry leaders in Web3. Having spoke to over 30 C-level executives, she shares invaluable insights with her audience. Originally hailing from Singapore, Cindy now calls Tbilisi, Georgia home. She earned her Bachelor's degree in Communications & Media Studies from the University of South Australia, boasting a decade of experience in journalism and writing.